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Amelia C. Van Buren (c. 1856–1942) was an American photographer who was best known for being the subject of Thomas Eakins's c. 1891 painting ''Miss Amelia Van Buren''.〔 ==Pennsylvania Academy of the Fine Arts== Van Buren was born in Detroit, Michigan. Both her parents died sometime prior to 1884, when she began attending the Pennsylvania Academy of the Fine Arts. She had already been exhibiting her artwork in Detroit for at least four years prior to attending the Academy. Her talent soon led Eakins to tutor her personally, including controversial lessons using nude models, male and female. In 1885–86, several of Eakins's former art students (including Thomas Pollock Anshutz and Colin Campbell Cooper) conspired to have Eakins fired from the Pennsylvania Academy of Fine Arts. They approached the Academy's Committee on Instruction, and made numerous charges against Eakins. They alleged that Eakins had used female students, including Van Buren, as nude models. Another highly inflammatory charge was that Van Buren had asked Eakins a question regarding pelvic movements, which Eakins answered by removing his pants and demonstrating the movements. He later insisted that the episode was completely professional in nature.〔 The committee left Eakins under the impression that the charges had been filed by Van Buren, who had moved to Detroit to recover from neurasthenia. That, however, was not the case, as she greatly respected Eakins and in years to come would defend him at every opportunity, as well as express pride in owning pieces of his artwork. After recovering, Van Buren returned to Philadelphia, where she continued in her studies under Eakins at the Art Students' League of Philadelphia. Van Buren and Eakins stayed in close contact for a number of years afterward. Three or four years after his dismissal, Eakins painted Van Buren in ''Miss Amelia Van Buren''. ==Post-Academy== There is little information on Van Buren's life and professional career following her education at the Academy. No paintings by Van Buren are known to survive.〔 She entered into a Boston marriage with fellow student Eva Watson-Schütze. The two of them opened a studio and art gallery in Atlantic City, New Jersey, but Van Buren disliked having to make compromises in her aesthetic sense in order to sell any paintings, so she turned to photography instead. Both women were recognized as accomplished artists and exhibited together at the Camera Club of Pittsburgh in 1899, and Van Buren was noted for her portraits, once declaring her goal was to make portraits "to stand with (of ) Sargent and Watts and the other masters". It is known that by 1900, when she sent some prints to Frances Benjamin Johnston (including the one shown to the right), she had moved back to Detroit.〔 She had the portrait of herself in her possession, likely a gift from the artist himself, which she sold to the Phillips Memorial Gallery in 1927,〔(【引用サイトリンク】 title=Eakins in the Collection )〕 by which time she was living in North Carolina. In the early 1930s Lloyd Goodrich, who was writing the first full-length biography of Eakins, wrote to Van Buren. However, she replied that she had no particular reminiscences of Eakins.〔 Van Buren spent her later years in an artists' colony in Tryon, North Carolina, where she died in 1942.〔 == Notes == 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Amelia Van Buren」の詳細全文を読む スポンサード リンク
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